Medical sciences museum of Grenoble was created in 1992 thanks to the initiative of several hospital decision makers concerned about preserving the history of their institution.
The preservantion of the hospital's heritage, undertaken by many hospital workers long before the creation of the association, is a field in which the CHU of Grenoble invests itself fully, thus opening its doors in partly to the cultural sphere. A building filled with history was made available to the Grenoble Museum of Medical Science at the northern hospital--the old chapel of Tuberculosis victims, also called the Chapel of the Asylum for the Aged, named for the ensemble of pavillons in which it is located. Today, the geographic situation and the theme of the museum make it an unusual site at the heart of the hospital where ideas can come together and debates can take place. One of the hospital's objectives and one of the museum's missions is to showcase the hospitals rich collection, but also to change mentalities and do away with preconceived notions, making the hospital a place just like any other. Basically, it's all about showing what the hospital once was, what it is today, at the same time much like other hospitals and specific thanks to its location in Grenoble.

Period of opening : From 09/01 to 30/09, every Tuesday between 12.30 pm and 5 pm.

Prices : Free museum
Access : Tramway B stop Michallon

The renovated property of painter Ernest Hébert invites visitors to step into the artist's 19th century world and to discover his work through the presentation of his collections and of 17th century frescoes.
The Hébert museum of La Tronche is a somewhat unusual museum: sheltered behind walls, this two and a half hectare estate has protected itself from the wears of time. The artist's house has held onto the spirit of the place and the intimate character of a family house. The garden, sometimes hidden in the shadows, still holds onto the artist's memories of Italy. The museum, as soon as it opened in 1979, set a double mission for itself: encourage a better knowledge of 19th century art through the artist's collection and to promote contemporary artists, both aspiring and confirmed.

The permanent exhibit halls take the visitor on a journey through Ernest Hébert's long artistic career via his works and those of his friends. They illustrate the academics, whose complexity and importance we are rediscovering today and which sheds light on official art. Between the romanticism of Eugene Delacroix and the symbolism of Gustave Moreau, Hébert paves the way for a deeper understanding of 19th century aesthetic movements.

The painter
Ernest Hébert (1817-1908), after having studied at l'Ecole des Beaux Arts de Paris and winning the Grand Prix of Rome for historic painting, became famous with "La Malaria" which he presented at the 1850 Salon. A flourishing career was set before him and he shared his time between France and Italy, where he served twice as director of the Academy of France in Rome (1867-1873 and 1885-1890). He very soon became a sought-after portraitist for high Parisian society during the Second Empire and Third Republic, where he frequented upper class salons. Hébert keenly expressed the poetry and secrecy of his feminine models, but it was in Italy that he found the most inspiration, preferring to depict rural scenes imprinted with a melancholic realism. He was responsible for the mosaic on the apse of the Pantheon, inaugurated in 1884.

The museum
Through a chronological and thematic layout, the museum presents Hébert's work plus the paintings and sculptures of his friends and students. His years of study, his life at the Villa Medicis, his stays in Italy, the two terms he spent as a director, and his Parisian career are presented.

The recreated studio has been restored to its original function.

The numerous drawings included in the collection are presented in rotation, in the drawing room, set up in one of the house's bedrooms (2nd floor).

The house
The house recreates the atmosphere that the artist knew with its period furniture and souvenirs, including the restored Laetitia Bonaparte salon. The impressive 17th century frescoes, uncovered during renovation work, depict the ancient history of the house. Numerous testimonies from Hébert's mentors—David d'Angers, Delaroche, his friends from the Académie de France in Rome, Gounod, Regnault,--and his patrons—Théophile Gautier or Princess Mathilde—evoke his career as well as illustrating the artististic wealth of the prolific 19th century.

The gardens
Set aside from urban life, the museum's park, with its shaded alleyways, rippling brooks, and trellises, has held onto the charm of the artist's "secret garden."

In 2004, it was recognized as a "Remarkable Garden," an award recently created by the Ministry of Culture and Communication. This label recognizes the garden's quality and charm, whose richness stems as much from its 17th and 18th century origins as from the modifications made by Ernest Hébert and his wife Gabrielle. The juxtaposition of well groomed, Italian style areas with English garden-type landscapes, the antique elements, and the numerous water basins are reminiscent of the Villa Medicis in Rome and make for an original setting, open freely to the public.

Period of opening : From 01/01 to 31/12 between 10 am and 6 pm.
Closed on Tuesday.
Closed exceptionally on January 1st, May 1st and December 25th.

Prices : Free of charge.
Group rate available for > 3 people.